AHDS Guides to Good Practice
 

Creating Digital Audio Resources
A Guide to Good Practice

 
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Advice
 Guides to Good Practice
  1. Overview
  2. Working with Copyright
  3. Digitising audio: an outline
  4. Playing back audio media
  5. Computers for audio
  6. Other resources: skills and time
  7. Creating the digital audio files: a step-by-step guide
  8. Documenting digital audio resources
  9. Presentation and delivery
  10. Preservation
  11. APPENDIX A: Case studies
  12. APPENDIX B: Glossary
  13. APPENDIX C: Bibliography
 Performing Arts Data Service
Guide to Good Practice
Creating Digital Audio Resources

9.3. Distribution and access issues

It may be that your negotiated copyright agreements require you to restrict access to the digitised audio. If the resource is distributed via CD-ROM only, this is easy as distribution can be controlled. However if the resource is delivered via the web, then it will be accessible to anyone. In fact this could dictate the way you deliver your resource.

However there are ways to implement access control on websites. For instance, software can be used which prompts users for passwords. Users would need to apply to the resource owner, who can supply a password for that user. In this way, the number of users can be controlled. There are also ways to monitor web-resource usage, by counting the number of downloads of a particular soundfile for example. This could be used to determine what level of fee should be paid to rights holders in order to secure future use of that sound. Implementation of such systems will require specialist expertise in web technologies, though with such expertise they are perfectly feasible.

9.4. Design considerations

The decision about how to deliver audio content to users is essentially a technical one: whether to use streaming, compressed audio files, or uncompressed files is largely determined by your own technical resources and those of the potential user.

But it's important to consider visual impact too, even if the resource is mainly functional (such as a database or collection of research materials). A resource that is useful and interestingly put together has added value. Be aware of good design practice and bad design practice. For instance, there are web resources that present audio perfectly well technically speaking, but do so within the context of a fairly bland and/or poorly designed visual environment. There are some, however, which present audio in an innovative way, or in a visually exciting context, and there are plenty of software tools available to assist in the design and creation of web sites.

For examples of web sites that present audio materials in a variety of ways, refer to the PADS site at http://www.pads.ahds.ac.uk.

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The right of Nick Fells, Pauline Donachy and Catherine Owen to be identified as the Authors of this Work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
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Electronic or print copies may not be offered, whether for sale or otherwise, to any third party.

Pauline Donachy is a member of the MusicWeb Consortium.

 
Guide Navigation ContentsBackGlossaryNextBiblio
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