AHDS Guides to Good Practice
 

Creating Digital Audio Resources
A Guide to Good Practice

 
Guide Navigation ContentsBackGlossaryNextBiblio

Advice
 Guides to Good Practice
  1. Overview
  2. Working with Copyright
  3. Digitising audio: an outline
  4. Playing back audio media
  5. Computers for audio
  6. Other resources: skills and time
  7. Creating the digital audio files: a step-by-step guide
  8. Documenting digital audio resources
  9. Presentation and delivery
  10. Preservation
  11. APPENDIX A: Case studies
  12. APPENDIX B: Glossary
  13. APPENDIX C: Bibliography
 Performing Arts Data Service
Guide to Good Practice
Creating Digital Audio Resources

10. Preservation

There are two main aspects to ensuring the long-term preservation of digital audio data. The first conerns the life-span of digital storage media such as computer hard-disk drives and removable media such as CDs. The second concerns sound file formats and obsolescence.

10.1. Storage media

Digital information held on computer hard-disks is not permanent. There are many factors which can result in the loss of data; these include mechanical failure (increasingly likely with age), electronic corruption (such as may be caused by errors in computer programmes, malicious viruses etc), and faults in magnetic or optical media (the material of the disk surface itself which stores the information). It is vital to take adequate steps to guard against such loss, both in the resource creation process and in the long term (i.e. beyond the life of the project, if the resource is to remain in place).

Fortunately, backing up fairly small amounts of data is now relatively straightforward, using extra hard-disks and removable media such as writable CDs. Specialist high-capacity long-term storage systems are also available, though they can be relatively costly.

The key to successful preservation is to have a strategy for backing up on a regular basis both during the creation process and once the resource is up and running. As any data is created, at least one backup copy should be made. This backup should be logged and stored safely. Once the creation process is complete, a long term strategy should take over. Such a strategy could be based on the following rules of thumb:

If data in the resource changes often, backup often, and maybe make incremental backups rather than complete backups. How often will depend on the frequency and extent of the changes made.

If data rarely or never changes, and the integrity of previous backups is reliable, then it makes sense to backup whenever changes are made or decide on some regular period for backing up.

Where a resource contains critical data it is advisable to seek specialist advice on preservation.

PADS will hold a preservation copy of your data too, but this should not be relied upon as delivering the data to users is your responsibility; in order to maintain service it is best to have a way of backing up and restoring your own data efficiently.

10.2. Audio file formats

The other important aspect to consider is not just protection of the data itself, but also support for the format in which it is stored. This relates to the possible lifetime of sound file formats, and though this is not really currently an issue, it may be in future; it is important to stay informed about developments in audio file storage.

For instance, the 'wav' and 'aiff' formats are very common file formats today, and there is a huge amount of software that will deal with these files and play them back to users. They have been around for some years, and are likely to remain for the foreseeable future. But this may not always be the case. Though the standards will remain, there may be a time when they are superceded and other types of storage become more widespread; in this case some decision may need to be made about whether to convert files to more modern formats. Similarly, whilst the 'mpeg3' format is very common on the internet just now, in future it may well be superceded by other higher performance methods for delivering audio.

A similar consideration has to be made regarding backup media, as storage capacities of media are likely to increase (as they have done dramatically in recent years), and the media themselves are likely to be displaced by newer high capacity systems. This is a continuous process in the computing field and it is important for resource creators and owners to stay in touch with new developments. Otherwise you may well be faced with having large quantities of data in essentially obsolete formats and media.

Top of Page

©
The right of Nick Fells, Pauline Donachy and Catherine Owen to be identified as the Authors of this Work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
All material supplied via the Arts and Humanities Data Service is protected by copyright, and duplication or sale of all or part of any of it is not permitted, except that material may be duplicated by you for your personal research use or educational purposes in electronic or print form.
Permission for any other use must be obtained from the
Arts and Humanities Data Service

AHDS

Electronic or print copies may not be offered, whether for sale or otherwise, to any third party.

Pauline Donachy is a member of the MusicWeb Consortium.

 
Guide Navigation ContentsBackGlossaryNextBiblio
ContentsContentsBackGlossaryNextBiblio